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Automotive Battery Science: How Batteries Work

Automotive BatteryYour automotive battery is one of the most important, and most often overlooked, electrical components in your vehicle. If your battery is not in good condition, you can be stranded, and other components in your vehicle may be damaged. This article discusses how batteries work and how to take care of them.

What is Inside an Automotive Battery?

Automotive BatteryInside a typical car battery are six smaller energy-producing components called cells. Each cell contains a series of electrodes or plates. The positive plate of the battery is lead [eroxide (PbO2). The negative plates of the battery are pure lead in a soft, sponge-like state. The plates within each cell are arranged in alternating layers for a total of 16 components. All of the positive plates in a cell are wired in parallel, as are all of the negative plates.

Each cell produces roughly 2 volts of electricity. The six individual cells are wired in series with one another so the voltage generated by each cell adds together. The result is 12 volts.

Are You Ready for the Chemistry?

A diluted solution of sulfuric acid (H2SO4) surrounds the plates. The ratio of acid to water (H2O) is typically in the region of three parts of water to one part of acid.

When we connect a load to the external terminals of the battery, a chemical reaction starts to take place. Our diluted sulfuric acid mixture comprises H2SO4 and water (H20). As the reaction commences, the sulfuric acid splits into positive hydrogen ions (2H) and negative sulfate Ions (SO4).

Automotive BatteryWhen the hydrogen ions reach the lead peroxide plate, they absorb electronics from it and become a hydrogen atom. This process attacks the lead peroxide to produce lead oxide (PbO) and water (H2O). The lead oxide reacts with the sulfuric acid to form lead sulfate (Pb SO4) and water (H2O).

Negative sulfate ions move freely within the solution. As they reach the pure lead plate, they give up their extra electron and become what is known as a radical sulfate. As a radical sulfate cannot exist on its own, it will attack the pure lead plate to produce lead sulfate (PbSO4).

The action of positive hydrogen ions taking electrons from the lead peroxide plate, and the negative sulfate ions giving electrons to the pure lead plate produce an electron imbalance. These electrons flow through the external load to try and balance themselves. This process is how the battery provides power to our load (light, amplifier, heater or computer).

The Chemistry behind Battery Charging

Automotive BatteryWhen we apply an external DC source to the battery, we reverse the process. An external DC source such as an alternator or a battery charger feeds electrons to our positive lead sulfate-covered lead peroxide plate and the negative lead peroxide-covered lead plate. During the charging process, the density of the sulfuric acid solution falls, but we still have positive hydrogen ions and negative sulfate ions.

The positively charged hydrogen Ions more toward the negative terminal of the external DC source. Each hydrogen ion takes one electron from the negative plate to become a hydrogen atom. These hydrogen atoms attack the lead sulfate to produce lead and sulfuric acid.

The negative sulfate ions move toward the positively charged plate. When they get there, they give up their extra electron to become radical sulfates. This radical sulfate reacts with the lead sulfate, and forms lead peroxide and sulfuric acid.

We Can Simplify that a Lot!

In a nutshell, the negative terminal of a lead-acid battery has an over-abundance of electrons. When you connect a load to the battery, the electrons scramble through the load to get to the positive terminal. This electron flow is what allows the battery to provide energy to do work.

When we apply a voltage to the battery that is higher than its resting voltage the electron flow reverses. The sulfate layers on the plates are converted back to lead and sulfuric acid.

Battery Charging: Calm Down – What’s the Rush?

About the worst thing you can do to a car battery is to rush the charging process. If you rush the recharging chemical reaction, the lead sulfate will heat up and adhere permanently to the lead and lead peroxide plates. Once it is stuck there, we can no longer use that area of the plate to flow electrons, and we have reduced the effective size of the battery.

Automotive BatteryYou probably have heard the expression “a battery is never the same after it has been killed.” This statement is very true if the battery is not charged gently and thoroughly.

When you want to recharge your battery properly, keeping the process slow will allow the chemical reaction to take place at a controlled rate. If you are using a high-quality, computer-controlled charger (and you should be!) there are two major charging stages. The first stage is called bulk charging. The charger will maintain a constant current flow to the battery by adjusting the applied voltage.

How do you know if you are charging a care battery too quickly? Standard flooded batteries should not exceed roughly 120 degrees Fahrenheit during charging. We suggest that slower and cooler is always better. An absorbed glass mat (AGM) or gel battery should not exceed 100 degrees.

Once approximately 80% of the used energy has been returned to the battery, the charger will switch to the absorption stage. At that stage, the charger provides a constant voltage to the battery and the current flow diminishes as the battery reaches full charge.

How to Calculate Maximum Battery Charging Rates

A relatively large car battery may have a capacity of 70 or 80 amp-hours. This specification means that under ideal conditions, you can draw 1 amp of current from the battery for 70 or 80 hours. After that time, the battery will be considered dead.

To find the ideal charging rate for our 70 amp-hour battery, we divide this specification by 10 to get seven amps. The battery should be able to accept 7 amps of charging current without overheating. It is worth noting that, if the battery is completely discharged, it will take 10 hours to charge it. Remember, slower is better when it comes to charging batteries.

Taking Care of Your Car Battery

Automotive Battery
The CTEK charger is a great charger to keep your battery operating at its potential.

Some of us who are more fanatical about the care and maintenance of our car batteries will connect them to intelligent battery chargers several times a year. One rule of thumb is to charge your battery fully after each oil change, or four times a year. You should increase this frequency if you make short trips that do not provide adequate charging time. Likewise, time spent playing your audio system with the engine off can drain a battery very quickly. If you have been out with friends and your car battery has been depleted, put it on a high-quality charger overnight.

If you can access the acid solution in your battery, ensure that it is at the proper level, or at the very least, is covering the lead plates completely. A hydrometer should be used to confirm the specific gravity of the solution, but if it is low, adding distilled water is better than doing nothing. That little green “eye” included in some batteries is a hydrometer. When it disappears, the chemical balance within the battery is off and it needs to be charged.

Your local mobile electronics retailer may have a battery load tester that they use before every remote car starter they install. If you are concerned about the condition of your battery, ask them to check it. Being stranded due to a dead battery when the temperatures get cold is frustrating if you are trying to get home or to work.

Ensure the battery terminals and connections to your vehicle are clean and secure at all times. A loose connection can have a dramatic adverse effect on the functionality of your electrical system.

If you need a new battery, check with your local mobile enhancement retailer first. They often have extensive experience in upgrading batteries and can help you choose a solution that will ensure your car is ready to go every time you turn the key.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

RCA Y-Cables, Friend or Foe?

RCA Y-CablesIf you spend any time reading car audio discussions on Facebook or in forums, then you will have undoubtedly come across comments involving the supposed drawbacks of using RCA Y-cables. There seems to be a lot of misconception or misunderstanding about how preamp signals works, and this misinformation leads to comments that aren’t always accurate. Let’s take (more than) a few minutes to clear things up.

Understanding Preamp Level Audio Signals

RCA Y-CablesThe audio signal that connects your source unit to your amplifier is both very weak and quite small. The voltage of the preamp signal is rarely above 10% of the maximum voltage capability of your source unit for several reasons. Firstly, the signal level is directly proportional to the output of the system. When the volume is low, the signal is low in amplitude.

The second factor that contributes to the microscopic amplitude of the preamp signal is known as the Crest Factor. By way of a formal definition, the Crest Factor is the ratio between the peak signal amplitude and the RMS value of a waveform. For a pure sine wave, this value would be 1.414. For music, the Crest Factor value is much larger.

We analyzed a few different songs to come up with some relatable numbers. The new song Run by the Foo Fighters has a maximum amplitude of +0.15 dB and an RMS amplitude of -12.7 dB over the entire track. To keep the math simple, let’s call it 13 dB, which is a ratio just shy of 20:1. We also analyzed Heathens by Twenty One Pilots and found that it has a Crest Factor of 10.5 dB, or just about 11.25:1.

If we think about the highest voltage possible on our preamp signal as being 4 volts, then the average voltage for the above track would be 200 millivolts and 355 millivolts respectively. The peak of 4 V only happens when the volume is at maximum. Don’t forget that.

Scotty, We Have No Power!

Another characteristic of our preamp signal is that it contains almost no current flow. As with any electrical circuit, the amount of current flowing through the circuit is determined by the voltage in the circuit and how much resistance there is. The output impedance of most head units is between 300 and 500 ohms. The input impedance on most amplifiers is about 10,000 ohms.

Using our maximum voltage of 4 volts, and a resistance of 10,500 ohms, the maximum current in our circuit will be 0.381 milliamps. If we consider that the average signal amplitude is about 275 millivolts, then we have an average current flow of 0.0275 milliamps. That is nothing.

What does an RCA Y-cable Do?

RCA Y-CablesAn RCA Y-cable allows you to connect a single RCA output to two RCA inputs. Typical applications for Y-cables are a single subwoofer output RCA on a source unit or processor and the need to feed a pair of inputs on a subwoofer amp. Another common application is a source unit with only a single left and right RCA output; you want to use a four-channel amp that doesn’t include a two-input/four-input switch.

Please Don’t Believe the Hype

The biggest myth about the use of Y-cables is that they dramatically reduce the signal going to each input. To prove why this is not true, we need to understand how a voltage divider circuit works. Yes, it is time for a little physics and math.

In an ideal situation, when we have a signal source and a single load, all the voltage developed by the source appears across the load.

RCA Y-Cables

If we have multiple loads, the voltage produced by the source is divided among the loads when they are wired in series. In the image below, we have two loads in series with our single signal source.

RCA Y-Cables

If the resistance value of the two loads is the same, then the voltage produced by the source is divided equally across the loads. Half the voltage can be measured across each load. Using our 4 V preamp example, we would see 2 V across each load. However, what happens when the load resistance is not the same? We have to do some math to determine how much voltage is across each.

Let’s label the loads. The load on the left will be called Rs. This is the resistance of our source. For this example, we will use a value of 500 ohms. The load on the right will be our amplifier input resistance of 10,000 ohms, and we will call it Ra1.

RCA Y-Cables

We have 4 volts being produced by the source and a total circuit resistance of 10,500 ohms. We can calculate that the current flowing in the circuit is 0.0381 milliamps using Ohm’s law. Knowing the current in the circuit allows us to determine how much voltage is dropped across each resistance. For our source load, we have a resistance of 500 ohms with a current of 0.381 milliamps to produce 190.476 millivolts. The rest of the 4 V source signal or 3.809525 volts appears across the load.

Let’s wire another amplifier in parallel with our first amplifier. This is the same effect as using a Y-cable. Our second amplifier will be called Ra2.

RCA Y-Cables

Now it is math time again. This time, our circuit has a total resistance of 5500 ohms, and as such, has a current of 0.7272 milliamps flowing in it. The voltage dropped across the source has increased to 0.363636 volts, and each amp is seeing 3.636 volts. That seems like a noticeable difference, doesn’t it?

The Decibel Scale Changes Everything

Between the two examples above, we have seen a decrease in voltage at the amplifiers by 4.772%. Does that mean our music is almost 5% quieter? No. When we talk about the ratio of voltage to volume, we need to take into account the decibel scale. Our decrease of 4.772% percent in voltage works out to -0.405 dB less output.

Before you get your knickers in a knot, you can fix that by turning the gain on your amplifier up by that amount.

A Worst-case Mathematical Example

RCA Y-CablesThis example was a worst-case scenario. What if you have a source unit with a lower output impedance? Some head units have an output impedance of 300 ohms. For that head unit, with the same 10,000 ohm input impedance on the amplifiers, the change in output by using a Y-cable would be -0.2493 dB. If you have a premium line driver in your system, the output impedance may be as low as 50 ohms. In this scenario, the loss is a paltry -0.0431 dB.

What did we learn from this? If you need to connect many amplifiers to a single source, then choose a source with a low output impedance.

RCA Y-cables as a Solution are Not Evil

If your system requires that you use a set of Y-cables to distribute the audio signal to multiple amplifiers, then go right ahead. Once your installer sets the sensitivity controls on your amps, you will never, ever know they are there.

If you have any questions about the design of your audio system or what to know about how your installer will be wiring it, talk to the salesperson and your local mobile electronics specialist retailer – they would be happy to explain things to you.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Product Spotlight: Sony Mobile ES XAV-9000ES Car AV Receiver

Sony XAV-9000ES

If you’ve visited the BestCarAudio.com website, you’ll know we’re big fans of Sony’s Mobile ES product line. Not only have the products we’ve reviewed performed exceptionally well in the lab, but our team members who also work on the retail side of the mobile enhancement industry love their value and reliability. It’s been a few months since anything new has joined the line. In May 2023, Sony announced the release of a second flagship multimedia receiver called the XAV-9000ES. Let’s check it out!

What Is the Sony Mobile ES XAV-9000ES?

If you’ve read our Test Drive Review of the XAV-9500ES, you know it’s a single-DIN radio with a 10.1-inch floating-face display that mounts to the front of the chassis and hovers (securely) in front of your dash. When it comes to installation, that design opens up many options. That said, not everyone wants a large display or has a vehicle that can accommodate one. As such, Sony has created the XAV-9000ES as a double-DIN solution that’s modeled after radios like the XAV-AX4000 and XAV-AX6000. The radio continues to use the anti-resonant, dual-layer design single-DIN chassis but features a 6.75-inch capacitive touchscreen with a 1280-by-720-pixel ultra-bright display. In addition, the touchscreen includes a special anti-glare coating that cuts down on reflections that would otherwise make the radio challenging to see in bright sunlight. If you’re after a benchmark-quality radio that fits a conventional double-DIN opening, Sony says, “You’re welcome.”

Sony XAV-9000ES
The high-resolution touchscreen on the XAV-9000ES features an anti-glare coating and a bright display.

At the bottom of the radio display is a row of buttons, similar to what you’d find on the XAV-AX6000. These mechanical buttons make it easy and intuitive to adjust the volume, change tracks or stations or activate the voice recognition feature of Android Auto or Apple CarPlay without looking at the radio, and the center button is programmable to mute the sound or change sources. The onscreen menu system is similar to that of the XAV-9500ES, remaining intuitive and easy to use. The five source or function icons across the lower part of the screen can be easily modified to display the options you use most frequently, and the icons can be arranged in the All Apps drawer.

CarPlay and Android Auto operate wirelessly using integrated Wi-Fi, so your phone will automatically connect after you start the vehicle. The radio has a USB-C connector on the back to charge your smartphone. Alternatively, you can connect a USB memory stick to play audio or video files.

Sony XAV-9000ES
The single-DIN chassis leaves lots of room for wiring and interfaces in the dash of your car or truck.

Audio Source Options

Aside from supporting all the popular digital media formats, the XAV-9000ES includes an AM/FM tuner with RDS support. You can pair a digital media player, laptop or desktop computer using Bluetooth to stream audio. The Sony radio supports the LDAC Bluetooth transmission protocol, so wireless audio from your compatible smartphone will sound the best it can. Finally, your installer can upgrade the radio with a SiriusXM SXV300 satellite radio tuner so that you can enjoy genre-specific programming almost anywhere in North America.

Sony XAV-9000ES
The XAV-9000ES includes Bluetooth LDAC support, so wireless audio streaming from your smartphone or a media player sounds the best it can.

Radio Design and Audio Performance Features

Sony worked hard when creating the XAV-9500ES to come up with a solution that sounds amazing. If you look at how many auto sound competitors use that unit, you can appreciate that their efforts were worthwhile. We haven’t tested a better source unit in the lab, so that says a lot! The XAV-9000ES is no different in terms of its lofty goals. It uses an ESS ES9080Q digital-to-analog converter to output high-resolution WAV, FLAC, ALAC or DSD audio files with the smoothest sound and nearly imperceptible distortion.

At the heart of the XAV-9000ES is an Analog Devices 192-kHz, 24-bit digital signal processor. This potent processor gives your installer their choice of front, rear and subwoofer or three-way high, mid and low crossover configuration options. The radio has a 14-band global equalizer and eight bands of parametric equalization on each of the six output channels. There’s also a menu to set signal delays to each of the six 5.0-volt preamp outputs and the four channels fed by the built-in 20-watt-per-channel Class A/B amplifier to optimize the soundstage.

Sony XAV-9000ES
The XAV-9000ES includes an eight-band parametric equalizer that will allow your installer to optimize the performance of your sound system.

The radio is compatible with the iDatalink Maestro RR and RR2 modules to communicate with your vehicle’s computers. Depending on your vehicle, the RR or RR2 will provide access to climate control settings, parking sensors, tire pressure and door status information. The RR and RR2 also include steering wheel radio button control connectivity to make using the radio easier. If the RR or RR2 doesn’t support your vehicle, the Maestro SW will provide steering wheel control connectivity. Your local authorized Sony Mobile ES dealer can explain all the features supported by the Maestro interface for your vehicle.

Sony XAV-9000ES
Support for the Maestro RR and RR2 allows the XAV-9000ES to communicate with the computers in your vehicle.

The XAV-9000ES retains the triple camera inputs with dedicated triggers included with the XAV-9500ES. You can use these additional camera inputs for blind spot monitoring cameras or a forward-facing parking camera, and they can be independently triggered for custom control integration.

Sony XAV-9000ES
The three camera inputs have dedicated triggers for custom control integration.

Experience the XAV-9000ES at an Authorized Sony Mobile ES Retailer Today!

If you’re shopping for a truly high-end multimedia receiver for your car, truck or SUV, drop by a local authorized Sony Mobile ES retailer and check out the XAV-9000ES. Be sure to bring along your phone to hear just how great the radio sounds and experience the lightning-fast and intuitive interface. For more information on this radio or any Mobile ES products, visit the Sony Mobile ES website.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, PRODUCTS, RESOURCE LIBRARY Tagged With: Sony Mobile ES

Differential Inputs are Your Friend

Differential InputsIn the 80s and 90s, it seemed like car audio installers were often having to resolve noise issues after installing a system that included an amplifier or signal processor. In many cases, the problem was called a ground loop. However, in some cases, the noise was present because one of the signal cables passed by a source of noise. The only solution was to reroute the wire. No matter what the problem was, or what cure was applied to resolve the problem, ultimately it wasted time and frustrated installers.

Noise problems are not as common these days. They do crop up from time to time, but certainly not with the same frequency as before. One simple technology that has helped to reduce noise issues is the inclusion of differential inputs of modern amplifiers and processors. In this article, we will explain what differential inputs are, how they work, and what benefits they offer.

Amplifier Input Circuitry – Single Ended Inputs

The RCA input connections on your amplifier have a relatively easy life. They do not need to pass any significant amount of current. They do not get connected and disconnect very often. They just sit there and do their thing.

Behind the connections, where the circuitry of the amplifier starts to do its job, there are two circuit designs commonly used. The aforementioned differential input, and single ended inputs.

In a single ended input design, the shield of the RCA cable is connected to ground through a resistor. This resistor is often around 1000 Ohms. The center pin of the RCA cable, which contains our audio signal, is connected to the preamp stage of the amplifier. The preamp stage includes the sensitivity control, crossovers and so forth.

The image below shows an RCA with a sine wave and noise on both the shield and the signal conductor.

Differential Inputs

When we feed the signal shown above into an amplifier with single-ended inputs, the noise on the ground wire is ignored, and the sine wave and noise on the signal wire are amplified. The unfortunate and unwanted result is below:

Differential Inputs

Amplifier Input Circuitry – Differential Inputs

In a device with a differential input design, the shield of the RCA cable is completely isolated from the chassis. Before the audio signal passes to the preamp stage of the amplifier, it goes through an op-amp. An op-amp (or operational amplifier) is a small IC that has two inputs and a single output. One input is labeled as +, and the other as -. When we put a signal on the + input, it is passed to the output of the device with little to no change. When we put a signal on the – input, the polarity of the signal is inverted and sent to the output. In a differential input configuration, the – input of the op-amp is also connected to the shield of the RCA.

If we have an audio signal on the + input, and nothing on the – connection, the audio signal is passed through to the output of the op-amp, then on to the pre-amp stage of our amplifier.

The image below shows an RCA with noise on the shield and the signal conductors.

Differential Inputs

If we have noise induced on the shield and signal conductor of the RCA, then the noise signal on the shield is inverted and passed to the output. The inverted noise signal adds to the non-inverted signal and cancels out.

Differential Inputs

We call the system a differential input because it is looking for the difference between the shield and the signal conductors. More accurately, it subtracts any signal that is common to both conductors from the output signal.

How does Noise get into the System?

When our interconnect cables run through the vehicle, they come close to all sorts of electrical noise devices. High-current wiring, computers, sensors, electric motors and even the alternator can produce radiated noise in the form of a pulsing magnetic field. When a conductor passes through this field, a current will be imposed on the wire.

When this imposed current (or signal) reaches our amplifier, it gets amplified. If the noise is a high-frequency buzz, then that buzz is amplified, and we hear it through our speakers. Yuck!

Another source of noise is a ground loop. In a ground loop, current is flowing on the shield of our interconnect to equalize the ground potential between two devices.

Differential InputsLet’s look at an example. Perhaps someone has installed a radio in the dash of a truck and grounded that radio to the dash support. In some cases, that dash support is isolated from the truck chassis with big rubber bushings. When we connect the RCA cables from our radio to an amplifier in the trunk that has single-ended inputs, the radio seeks an improved ground location through the RCA shield. The resistor in the amp prevents massive amounts of current from flowing, but there is often enough to induce noise in the signal conductor.

A quick test for a ground loop is to pull the RCA out of the amp until only the center pin is touching. If the noise goes away, you have a ground loop. A remedy is to install a ground loop isolator. A ground loop isolator is a device with a transformer in it. The audio signal is transferred through the magnetic interaction of the transformer windings. There is no direct electrical connection between the input and output cables. With no electrical connection present, current cannot flow. The drawback of a ground loop isolator is that it can detrimentally affect the frequency response of the signal passing through it.

Do the Interconnects Matter?

For differential inputs to work, we need the noise signal to be equal on both the signal and shield conductors of our RCA cables. In a coaxial cable design, the shield can block noise from getting to the center conductor. If you use coaxial interconnects with differential inputs, the noise on both conductors is not equal and can induce noise into the signal path.

Differential Inputs

The easiest way to ensure that any induced noise is equal on both conductors is to use a twisted pair interconnect. In a twisted pair configuration, both conductors have the same effective amount of shielding and subsequently, the same amount of noise.

Differential Inputs

Differential Inputs are Your Friend

The next time you are shopping for an amplifier or signal processor for your car, remember that one of the questions you should be asking is if it has differential inputs. While you can certainly build a great sounding audio system around an amp with single-ended inputs, there is no point of taking the risk of having noise or installation headaches. Your local mobile electronics specialist retailer would be happy to assist you in finding an amp or processor with differential inputs.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Product Spotlight: iDatalink Maestro AR Multi-Amp Upgrades

Maestro AR

Several years ago, iDatalink, the company known for its class-leading remote car starter interfaces, launched an amplifier integration solution called the Maestro AR. The AR (which is short for amplifier replacement) was designed to interpret the CAN bus commands intended for a factory amplifier into something a third-party digital signal processor can understand. While DSP-equipped products from several companies work with the Maestro AR, iDatalink took advantage of a feature in the ARC Audio PRO Series line of processors to develop a unique solution. Multiple AR units can be installed in a single vehicle to control multiple digital signal processors or DSP-equipped amplifiers at the same time. Let’s examine how these upgrades work and why you’d want this solution in your vehicle.

How Does the Maestro AR Work?

In most vehicles with CAN bus-controlled factory-installed amplifiers, the radio’s audio output is a fixed-amplitude (volume) stereo signal. To be clear, the analog audio signal from the source unit, be it the FM radio, Bluetooth streaming or playback of a digital audio file, does not change level with the volume control on the radio. This limitation means that if your installer connects an amp to this signal, it will always be at full volume, no matter where the volume on the radio is set. In some vehicles, there is also a digital audio signal connection between the source unit and the amplifier. The Maestro AR will convert these to an analog signal.

Along with the audio signal coming from the radio are commands that travel along the CAN bus. These commands include volume adjustments, signal routing changes for Bluetooth hands-free calling, warning chimes and tone controls and adjustments to features like bass, midrange and treble tone controls, surround sound modes or speed-compensated volume adjustment. In many vehicles, a second analog signal from the radio caries navigation prompts and hands-free Bluetooth call audio.

The digital signal processor in the factory-installed amplifier routes the stereo audio signal to the various speakers in the vehicle after applying whatever filtering, equalization or up-mixing the manufacturer requested. The Maestro AR interprets commands on the CAN bus network and feeds them to the third-party DSP to ensure that warning prompts and Bluetooth signals are mixed into the system and routed as needed. Finally, and most importantly, the digital messages on the CAN bus control the output level of the third-party DSP in the amplifier to act as the master volume control.

Maestro AR
The radio in the dash of many vehicles sends digital commands to a DSP-equipped amplifier to process the stereo audio signal.

In the above diagram, you can see three connections from the source unit to the amplifier. Those are the fixed-level audio, the analog Bluetooth/prompt signal and the CAN network connection.

In a vehicle that uses the Maestro AR, those control commands go to a third-party DSP from companies like ARC Audio, Audison or Rockford Fosgate. These processors can then replicate the majority of the functions of the DSP in the factory amplifier to give you complete control over your audio system.

In a typical upgrade, your installer would program the Maestro AR interface for your vehicle’s year, make, model and trim level, then connect it to the wiring in the car with a T-harness that’s also available from iDatalink. All third-party partner DSP companies require the technician working on your vehicle to install a brand-specific adapter harness to work with the Maestro T-harness.

For this article, we’ll talk about an upgrade that uses ARC Audio DSP-equipped amplifiers. This ARC Audio DSP installation requires an input adapter harness called the IDATA-OEM, which would be available from your ARC Audio retailer. The IDATA-OEM harness connects to the iDatalink T-harness and the analog RCA inputs on any ARC Audio amplifier or DSP that uses the PS8-Pro platform (PS8 Pro, IPS8.8, PS8-50, Blackbird or PSM Pro). The T-harness includes speaker wires that your installer would connect to the output of the new amplifier to make it easy to feed audio signals to the speakers. Finally, your installer would configure the DSP’s output channel assignments (front left, front right, rear left, rear right, center and subwoofer), crossovers, equalization and, if applicable, delays for each speaker to make the new system sound great.

Maestro AR
An example of an audio system that includes a Maestro-AR compatible DSP-equipped amplifier.

ARC Audio Multiple Amplifier Systems

Many years ago, ARC Audio added a feature to its PS8-Pro and newer digital signal processors that allows several processors to be connected simultaneously to a computer via unique and individualized electronic product IDs for every signal processor made. The installer can label each processor, and the technician setting up the system can select which processor (or DSP-equipped amplifier) they want to adjust from a pull-down menu. While the product development team at ARC Audio was working with iDatalink on Maestro compatibility, the two companies realized they could use this feature to allow multiple AR modules to work together simultaneously to control multiple stand-alone DSPs or DSP-equipped amplifiers.

Maestro AR
The PS8-Pro and new DNA software allow your installer to connect to multiple DSPs simultaneously.

Why would someone want multiple amplifiers in their car’s audio system? We’ll use the example of Fred Lynch’s Ford Flex. Fred works at ARC Audio, and one of his many duties is to oversee international sales. He recently drove his Flex from Modesto, California, to Toronto to be displayed and auditioned at the CMA Expo in March 2023. The audio system in the Ford Flex has three ARC Audio Blackbird 12-channel DSP amplifiers and an additional ARC 1000.2 amp that powers a trio of A-Series shallow-mount subwoofers. In addition, three Maestro AR processors in the vehicle individually control each of the system’s three DSPs.

Fred built the sound system in his Flex to demonstrate the capabilities of ARC Audio’s amplifiers, processors, speakers and subwoofers in an OEM application with all OEM controls and features retained. Most importantly to his family, no storage space was lost. As such, he optimized the system with as much power as possible. He’s also upgraded the vehicle with a three-way front stage with 8-inch woofers in the doors and RS-3.0 3-inch midrange speakers, and RS 1.0 tweeters in the A-pillars. He also bi-amped the rear ARC-Series, coaxial speakers in the mid doors and rear D-Pillar speakers! The center channel midrange and tweeter are also filtered actively. A pair of preamp DSP outputs on one of the Blackbird amplifiers provides the signal to the ARC 1000.2 subwoofer amplifier.

Bonus Features of Maestro Integration

We mentioned earlier that the AR interface sends more than just volume control commands from the factory radio to the amplifiers or signal processors. The ARC Audio DNA software allows your installer to set up a dedicated equalizer band that works with the midrange control and a high-shelf filter that responds to the treble tone controls on the radio. The bass EQ control on the radio can be configured to adjust a single-band EQ, a shelf filter or the remote level control for the subwoofer output.

Finally, the Surround Mode control on the factory radio allows for selecting from several DSP configuration presets. It’s worth noting that the number of presets is limited by the interface on each vehicle’s radio. In Fred’s Flex, he has a configuration with just the front-stage speakers only. The second preset adds the subwoofers. The third preset adds the side and rear speakers. This third preset configuration added space and size to the experience without degrading the tightly focused front stage. The fourth preset changes from a sound-quality-oriented configuration to something more popular with enthusiasts who like a lot of bass by raising several crossover points so the system can safely use the amplifiers’ prodigious power. Toggling the “speed-compensated volume” selection from off to Low to Medium or High switches the presets on all three amplifier DSPs simultaneously.

Another unique feature of the Maestro AR system when using the ARC Audio Pro-Series DSP-equipped product is that installers can reconfigure the volume structure and incremental step level on the factory volume knob. For example, many factory-installed audio systems have issues where the volume control’s first step results in sound that can be too loud to converse with the person in the seat next to you. Another common problem is that the system reaches its maximum output capabilities using half of the volume steps on the factory radio. With AR and an ARC Audio processor, your installer can redefine the volume steps so the volume control works like a factory system with the range and incremental steps you expect.

Maestro AR
Commands from the midrange and treble controls on the factory-installed radio adjust the midrange and treble tone controls as configured by the ARC Audio DNA software.
Maestro AR
ARC Audio’s DNA software allows your installer to set minimum and maximum volume levels to ensure that the system doesn’t distort.

Why Use the Maestro AR?

Any audio system upgrade ideally aims to deliver improved sound quality, extended frequency response and output capability while maintaining the system’s ease of use. Upgrading the system with better speakers, subwoofers, high-power amplifiers and client-specific system calibration while retaining the intuitive control and appearance of the factory radio using the iDatalink Maestro AR ensures that the results are going to be predictable and reliable. Furthermore, this solution eliminates the need for the installer to attempt to recombine filtered, equalized and delayed signals; worry about Bluetooth hands-free calling echoes; or add an external volume control. In short, everything works intuitively and sounds excellent.

So if you have a Ford, Chrysler, Dodge, Jeep, Ram, Toyota, Lexus, Subaru, Volkswagen or Mitsubishi, or a Harley-Davidson motorcycle, visit a local authorized vehicle iDatalink Maestro Retailer and ask about an audio system upgrade that uses the iDatalink Maestro AR interface. As a bit of teaser, we have it on good authority that iDatalink is working on an interface solution for vehicles that use A2B communication, digital over the copper (as is found in many Hyundai and Kia vehicles), along with MOST 50- and MOST 125-equipped vehicles. With the Maestro AR solutions, owners of these vehicles will be able to upgrade the sound systems with premium signal processing, amplification and speakers, ensuring that music enthusiasts can continue to have audio systems that are enjoyable and easy to use.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, PRODUCTS, RESOURCE LIBRARY Tagged With: ARC Audio, iDatalink

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